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Fairadine
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Name: Anne Elisabeth


Interests: Story telling, illustrating, portrait painting, singing, studying true doctrine, C. S. Lewis, LOTS of journaling, losing my brain, piano, opera, sad-depressing-tragical poetry, teddy bears, King Henry IV parts 1 and 2, tea (with cream and sugar) and scones with Devonshire Cream, tea cups, fairy tales, especially Beauty and the Beast and any variants of that theme, spiders (NO!), violets and roses, vanilla, quirky conversation, Tolkein, long walks (especially when there are autumn colors, though spring is nice too), soup in a mug, interesting trees, especially willows, hats, the color blue, Jane Austen, Elizabeth Gaskell, the sea, England, and my dearest Marilla cat! Congratulations to anyone who read all of that!
Expertise: Whistling (“I’ve had training in the classical style”). I’m also a student of proper feline etiquette.
Occupation: Art Teacher/Portrait Painter
Industry: Art


Message: message meEmail: email me
Website: visit my website


Member Since: 3/3/2005
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Saturday, July 04, 2009

Currently
The Virginian (Enriched Classics (Pocket))
By Owen Wister
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First Draft--Complete!

Finishing the first draft of a new project is always a time of diverse reactions from me. The first reaction is usually something like this

AE: "HOOOOOORAH! Look how AWESOME I am! I finished the FIRST DRAFT!" etc.

The second contrasts the first with:

AE: "It's horrible. Look at this monstrosity. How could I call this a book? I might as well throw in the towel now." etc.

At least I live a balanced existence.

All that to say, I finished the first draft of the second novel in my contract. I had anticipated that it would end up around 80,000 words. I was wrong. It has screeched to a halt at 110,800 words, the largest project I have written yet. Whoa, buddy. I'm hoping that in the rewrites I can pair it down a little. But at least this way I have something to work with.

Plan of action: finish Draft Two before going home this summer.

It would be really nice if I could since I am going to travel out to Minnesota and meet my editors and the team at my publishing house. I would love to be able to tell my editors that I have a fairly polished draft of Book Two already.

By the by, they are not going to call my first book Kiss of Fire, but have settled on my suggested title of Heartless. Life is good.

I'm feeling a little lost and floating this morning since my draft is done! I don't have time to really start the rewrites today, but I kind of miss working on it already. Oh well . . . I have work at Barnes and Noble today to distract me. Happy Independence Day, people!


Wednesday, June 24, 2009

Art Classes and Story-telling

I have a larger group of art students this week for Drawing Pets camp. And all girls, what's more. This makes life simpler for me in a way . . . if I play "The Little Mermaid" soundtrack in the background, they remain happy as clams, and life is good.

What's been particularly cute about this class, however, is their love of stories. They keep begging me at random intervals each day, "Tell us a story! Tell us a story about when you were growing up!"

I make them wait until snack-time, of course. We are supposed to be drawing and painting. But come snack-time, I'm lucky to get a mouthful before they're at it again. "Tell us a story about when you were little, Miss Annie! Tell us, please!"

So I do. With a little embellishment.

I tell them about growing up in England, right next to the wild Common Grounds where the rabbits lived in a village of gorse bushes across Crater Valley from the Old Stone Church with its picturesque--and remarkably spooky--graveyard, complete with the Monument in the center. I tell them about the Phantom Tree, which I alone could climb, and the Castle Tree where the faeries held court. I tell about the Tangle Tree with all its knotted vines prepared to catch any wandering children.

And, of course, I tell them about the trolls. All the trolls on the Common were invisible unless they were disguised as rabbits. You could always tell the troll rabbits, though, because they were black. Sometimes, we even saw little baby black rabbits . . . erh, trolls.

And I tell about my Brave Big Brother with his King Arthur sword, who was ever ready to fight off any trolls. And Fritz our stout-hearted schnauzer, Papa with his strong acorn-throwing arm, and me. I'm the central character, but somehow I don't end up playing much part in these stories, which are more observations of everyone else.

I told them about the dragon we found on the Common one day, a dragon my father named Spitfire. I described her as such: "She had long sharp claws, and long, sharp teeth, and instead of scales, her body was covered all over with fur! She wasn't a big dragon, not even as big as Fritz. But she was fierce and she was deceitful. One minute, you'd think she was your friend, rubbing around your ankles. The next minute, she'd lash out with her claws, growling and spitting, which is why Papa called her Spitfire."

Students: "Was she a real dragon, Miss Annie!"

AE: "As real a dragon as you'll find in all of England! But don't worry, she wasn't big enough to cause any real harm."

Students: "You had the most exciting life when you were growing up, Miss Annie!"

AE: "I certainly had an imaginative one."

I told them almost-ghost stories about travels in northern England, about exploring the Lochs in Scotland and the time I thought for sure I'd seen the Loch Ness Monster. I told them about the green, scaly dragon I saw in the dungeons of a castle in France (no fooling!) and all sorts of marvelous things.

Then they come back to me the next day.

Student: "Miss Annie! Miss Annie!"--whispers in my ear--"I told my mom all your stories from yesterday!"

Oh dear. I can just imagine the letters to the Learning Center next week.

To whom it may concern: I finally broke the news to my child last December that Santa Claus is not real. Now they are convinced that faeries and trolls abound in England, not to mention dragons in dungeons in France! And it must be true, because Teacher Said. We disapprove.

Oh well.

It totally ruins a good story like that to have to finish up with, "But that's all make-believe, you know? None of it was real."

Because in my mind, it was plenty real enough, thank you very much.

Thought I'd share with you a short story I wrote a few years ago based on my childhood in England, during the Gulf War. You might enjoy it.

 

 

Rainy Morning

 

It always rains in England at the most inopportune times. Sometimes rather spitefully, I think. I remember it rained on my sixth birthday when the day before had been a blaze of sunshine, bright enough for Mummy to promise me a birthday picnic. “As long as the weather’s good,” she said.

But when I woke to the sound of rain on my roof and Timmy screaming for his bottle downstairs, I nearly rolled over and went back to sleep. Why bother turning six on a morning like that? Still, I’d have to face the day eventually, so I slugged myself out of bed, hunted up my kitty slippers with the tails that tended to trip me up, and sat in the middle of my bedroom floor, surrounded by gloom. I watched the rain dripping down my windowpane while heavy clouds rolled by. On a clear day, I could look down on the little brick houses, at the cars driving slowly by on the left side of the road, at my old Welsh neighbor’s perfect garden. There weren’t many trees in the neighborhood, but if you followed the street to the left for a few blocks, you’d come to the common grounds. That’s where Fairyland begins, Pa said, there among the ancient oaks and gorse bushes, all a-flower in yellow this spring.

But today I simply sat on the floor and watched the clouds roll by. No picnic today. No cake outside, no tree climbing, no nothing.

My door squeaked open, and I looked over my shoulder to see my brother Todd, wearing his plaid pajamas, slip in. “Mor’in’,” he said. “Happy birthday.”

I smiled and turned back to the window. Todd joined me on the floor. His legs were much longer than mine, and his feet ten times bigger. My knees were knobbier, though, and more scabbed.

“No picnic today,” he said.

I shrugged.

“Pro’lly won’t get outside,” he said.

“Nope.”

“Maybe Mummy’d let us out in our wellies?”

“Not without Pa,” I said.

“Yeah.” He was silent a long moment, and since Timmy had finally stopped screaming downstairs, there was only rain to fill the silence.

“When Pa comes home we’ll go out in the rain,” Todd said.

I shrugged.

“Yeah we will. Don’t you remember last time? When it rained, and McArthur was stolen by the troll?”

“That didn’t really happen,” I said.

“Whaddya mean!” Todd jumped up and stood over me, his arms crossed over his chest. “’Course it happened! You were right there, don’t you remember?”

I shook my head.

“Yes you do! It was last fall, just after school started, worst time of year for trolls, Pa says. He came home from the base and pulled off his big flight boots and said, ‘We should go on a troll hunt tonight.’ You were right there. You remember.”

I nodded slowly. “But there aren’t any trolls.”

Todd rolled his eyes. “Are you crazy? How could you forget?”

“So what happened?” I asked.

“Pa whistled for McArthur and jangled his leash, and McArthur started yelping and hollering the way he does, you know.” Todd dropped to all fours and crawled around, barking and prancing, a perfect mimic of our dog, until I giggled and kicked my kitty slippers. “Timmy was too small to go of course, he was only a few weeks old, so Mummy had to stay behind. She was worried that it was going to rain, so she made us wear our wellies and slickers, and Pa got out his walking stick.”

“I remember,” I said.

“‘We’ll need one of these if we find a troll,’ he said. And I brought my King Arthur sword and shield.”

“What did I bring?” I asked.

Todd, still on his knees, looked around the room and grabbed my plastic fairy wand out from under the dresser. “You brought this! Pa says you’re the only one who sees fairies, so you have to have the magic wand.”

He handed it to me with great solemnity, and I took it and held it before me in the manner of a queen. “What happened when we got there?” I asked. “Did we go to Rabbit Town?”

“To look for trolls?” Todd snorted. “You think you’re gonna find a troll drinking tea with a buncha rabbits? Nah! We took the path to the Phantom Tree. And it was starting to get dark, and thunder growled almost as loud as McArthur’s howling. And McArthur barked and hollered all the way to the Common, then suddenly went all quiet.

“‘You know what that means,’ Pa said. ‘There’s trolls out tonight.’”

“I remember,” I said, and shivered.

“So we went down the path to the Phantom Tree, and Pa said you should climb it, since you’re the best at climbing things, and ask the fairies inside where we could find a troll.”

“What did they tell me?” I asked.

Todd took my magic wand from me and waved it mystically. “You listened really hard and tapped the tree, and said, ‘Pa, what are they saying to me?’”

“My voice isn’t that squeaky!”

Todd ignored me. “And Pa said, ‘Well, I can’t hear them as well as you can, but I think they’re saying there’s a troll by the Tangle Tree, near the old graveyard.’ ‘That’s right!’ you said. ‘I can hear’m now!’”

“My voice isn’t that squeaky!”

Todd handed me my wand, then gripped in his right hand an invisible sword, which he brandished like the noble knight that he is, transforming his jammies into silver armor.

“I led the way, to the Tangle Tree,” he said, “and you and Pa followed behind. Halfway there, Pa decided to let McArthur off his leash. ‘He can sniff out trolls better this way,’ he said. And he was right too!”

“Was he?”

“Of course. Don’t you know, when we were almost there, McArthur bolted after what looked like a rabbit.”

“Wasn’t it a rabbit?”

“No, no! You know what Pa says. Trolls are the trickstiest creatures. They can make themselves look like anything they want . . . rabbits, squirrels, cats . . . they come in all kinds. And this one, it dashed off ‘cross the path in front of us and into a gorse bush, and McArthur went right in after him. ‘You were right about what those fairies said, Wee Chick,’ Pa said. ‘That troll’s leading McArthur straight to the Tangle Tree!’”

I smiled. “Pa always calls me ‘Wee Chick.’”

“Course you were scared.”

“Was not.”

“Yes you were.”

“How do you know, you a mind reader or something?”

“No, I could see you was, so I said, ‘Don’t worry, fair maiden,’ ‘cause that’s what knight’s call the ladies. ‘Don’t worry, fair maiden, I’ll save him!’ And I tried to hack my way through the gorse, but it was enchanted like Sleeping Beauty’s thorns, and I couldn’t get through. And we could hear McArthur scuffling with that old troll somewhere, and soon even I was scared!”

“I remember. You cried.”

“Did not!”

“I remember!”

“Well, those stupid gorse stickers stuck my eyes, but that wasn’t real crying.”

I let the matter go. “So what did we do?”

“Well, just when things were looking worst, Pa found us a way through the bushes, a path we hadn’t seen. It was starting to misty-rain by then, and we knew we’d better find that old troll soon or he’d take McArthur down to his cave and . . . and eat him maybe!”

“And Mummy wanted us home for dinner,” I said.

“Yeah, that too. So we came out of the bushes, and there was the Tangle Tree, just like Pa—just like the fairies said, and the graveyard after that. Pa turned on the flashlight then ‘cause it was getting so dark.”

“Nu uh!” I said and held up my glittery wand. “I made the light with this! Remember?”

“Oh, yeah.” Todd grinned. “And when you did, do you know what we saw?”

“What?” I asked.

He scrambled onto my bed, hanging over the footboard. “McArthur!” Then he leered, showing every tooth in his head, and curled his fingers into claws. “And the troll! He was climbed up on that big old Ethelbert Gorst headstone, and making faces at us like this!” He growled in proper troll fashion, and I screamed and shook my wand in his face. Todd pushed it out of the way, rolled off the bed, and held up his invisible sword once more.

“‘Get him, quick!’ Pa said, and I ran at that old monster, swinging my sword, and you waved your wand and shot magic sparks all over the place, and they sizzled in the rain, and that troll, why he let out a yell like you wouldn’t believe! YEEEEHAAAOW! And I chased him off into the stones until he was cleared out. ‘That’ll teach you to steal our dog . . . foul varlet!’ I said, ‘cause that’s what knights say to monsters and bad knights and things.”

“What’s a varlet?” I asked.

“I think it’s some kind of vegetable. Like Brussels sprouts, maybe.”

“Oh. Yuck. So what did I do?”

“Don’t you remember? You healed McArthur with your magic wand. That troll had scratched him up good, nearly mortally wounded him, I think! Mummy thought he was just scratched up a bit in the gorse, but we know better. You healed him, saved his life, and Pa said we were regular heroes, like Galahad and . . . and some lady hero too.”

“A fairy princess,” I said, and primly arranged my nightgown over my scabby knees.

“Whatever.” Todd rolled his eyes again. “By then it was raining good and hard, so we had to get back home. Mummy was sure amazed when we told her, and glad to have McArthur back safe!”

I sighed and looked down at my wand, glittering dully in the dim room. “I wish we could hunt trolls today.”

Todd, his story spun out, sat beside me and patted my hand chivalrously. “We will when Pa comes home, I told you.”

“When will Pa come home?” I asked, twirling the wand between my thumb and finger.

“Silly,” Todd said. “He told us he’d come when he can, but there’s all those trolls overseas he’s got to fight first. He’ll come home just as soon as the war’s over.”

I smiled. “Maybe it will be over today? For my birthday?”

“Yeah. Maybe.” Todd nudged my shoulder with his own. “I think Mummy’s making muffins for breakfast. Come on, let’s go see.”


Friday, June 19, 2009

Currently
The Master and Margarita [MASTER & MARGARITA]
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G. I. Joes continued: The Heist

Following the writing of my most previous post eulogizing the great glory days of G. I. Joes . . . some child left a G. I. Joe in the children's department of the book store where I work. And now the Fun Time Have Begun.

I've been amusing myself with arranging various scenarios for this Joe in which he steals some random object out of the desk and makes a daring getaway, using other various objects as grappling hooks etc. He climbs up the side of the computer or one of the displays behind my desk, while an ugly little Simpson toy--a creature I can't stand, but he's pointing and is all bug-eyed as though in terror--shouts "Stop! Thief!" Okay, he doesn't shout it. He just holds up a hot pink sign that says it while pointing at the Joe.

Yesterday, I left him stealing a silver ring, and the Simpson toy was mighty distressed. And the only person showing remote interest was a plastic turtle with an inane smile on its face. Not a lot of help to be  got from there.

So far no one has commented on my little scenarios, and I begin to suspect that I am the only one amused by these antics. But I live in hope!

It is the children's department after all.


Monday, June 15, 2009

Currently
What-the-Dickens: The Story of a Rogue Tooth Fairy
By Gregory Maguire
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Roy Rogers, G. I. Joes, etc.

Today I was obliged to make my merry way to Target to pick up meds for my Marilla cat. (Side note: my life does not revolve around my cats. Thank you).

Anyway, while waiting for the pharmacists to fill both prescriptions (do not revolve around my cats), I wandered over to the clothes department whereat I was bored stiff. And I thought to myself while thumbing idly through dingy shirts and skirts and articles that had the audacity to be all earth tones--not a single bright color in the lot--I thought to myself, Since when did you get to be so boringly adult?

I mean, when I was a kid, I promised myself two things, yes, even three things did I vow. When I grew up:

1. I would never cook anything with peppers in it.

2. I would always go to the toy department when I went shopping.

3. I would have as many cats as I wanted.

Well, I considered today, staring at a row of shirts which did not improve upon further scrutiny, one out of three ain't bad. I can't say that I consistently want three cats, but it was my choice to take in each and every one of them.

But the last three meals I cooked were chock full of peppers, green, red, yellow, orange, the whole spectrum.

And here I stood in the boring old ladies' clothing section, not a single toy in sight.

I fixed that.

I strolled on my merry way, leaving behind this year's summer fashions, and found instead the first aisle full of plastic anthropomorphic enjoyment! My Little Ponies really aren't quite what they used to be. Their eyes are much bigger, and one can't help but wonder if they'll need contact lenses someday. And the Barbies have no better taste in wardrobe than the ladies' clothing department I'd just fled. But the Breyer horses are still beautiful, and there also these awesome little German figures, all fairies and knights and lordly creatures on horseback, and a little figure of a winged horse that I would probably have committed unmentionable crimes for back in the day.

But the fun hadn't begun yet. The next aisle over, I found the G. I. Joes.

Since the G. I. Joe movie is coming out, the Powers That Be have decided to resurrect all the awesomest of the awesome G. I. Joes. I found Mutt and Junkyard, Red Star, Duke, Python Commandos, even Destro in all his metal-headed glory.

And then I tried to call my brothers.

Couldn't get them, naturally. I mean, one of them is off in Japan somewhere being a real time hero, the other is doing practical things like working and going to the beach and stuff, and the third brother was off buying a computer somewhere to celebrate his 13th birthday. Woe is me. Lack-a-day.

But despite the initial disappointment, I stood awhile in uffish thought, contemplating the goodness that is a little plastic figurine in full battle gear, remembering many a glorious battle of old. Our Joes growing up didn't just fight Cobra, you see. They fought pirates, aliens, perturbed mutant spiders, Barbies, Vikings, and were even present at the Norman conquest at Hastings (I don't remember if they were Normans or Saxons. Probably Saxons, 'cause Tom always liked Harold of Essex better than William). Our G. I. Joes traveled through space and bizarre alternate dimensions. They had near-death encounters with Jim the Not-So-Friendly Giant (as played by my brother, James), with Reggie the Mouse Eater (as played by my first cat). They teamed up with Ninja Turtles, with Batman and the Flash, and even, upon occasion, with the My Little Ponies.

Our Joes were awesome.

I still carry my favorite one around in my coat pocket. Peter (then a much littler boy) sent him with me when I moved down here, telling me I needed him for protection. And despite the fact that this brave Joe is missing a leg, I always do feel better for having him in my pocket.

And I thought to myself, as I gazed into the battle-snarling  face of Destro, that my brothers and I probably had more fun together growing up than children have a right to. It was a nice thought.

After that, I picked up my cat's medications and wended my way back home to cast myself back into my current manuscript.

4,000 words later, my mind started to wander. I found myself, rather randomly, looking up videos of Roy Rogers. You see, G. I. Joes aside, when I was growing up, Roy Rogers was the last word on all things Cool. My brothers and I could watch Roy Rogers and Trigger all day and all night, and he was, in fact, my first crush (Trigger, that is). So I thought I would bless you all with a link to this video: http://www.youtube.com/watch?v=93argkjkRxk.

AE (as a rather littler girl): "MAMA!!! MAMA!!!! You know what Tom jus' said? He said Roy Rogers wasn't a real cowboy!"

Tom (the know-it-all): "Well he's not! Real cowboys died out a long time ago."

AE: "MAMA!!! Did you here what he jus' said?"

Mama: "Yes, Annie."

AE: "Did all the cowboys die?"

Mama: "They didn't die, honey, they just got themselves new jobs by and by. There are still some cowboys though."

AE: "And wasn't Roy Rogers a real cowboy?"

Mama: "He was a real actor playing a cowboy."

AE: " . . . oh."

I wasn't entirely certain what she meant by that at the time, but Tom and I came away from that conversation both satisfied that we'd been proven right and went back to playing G. I. Joes.


Friday, May 15, 2009

Writer's Block

It's a terrible thing.

I just read this description of Writer's Block by one of my favorite authors, Diana Wynne Jones, and felt I should share it with the rest of you:

"Well, it's a terrible condition. You . . . are lucky not to know what it's like. You haven't a thought in your head, or if you have, you can't somehow get it down on paper, or if you do manage to put something down, it goes small and boring and doesn't lead anywhere. And you panic because you can't earn any money, and that makes it worse. It can go on for years, too--"

"It's like when they tell me in school, 'Make a drawing of ancient Britons,' and I can't because I'm not in a drawing mood."

Diana Wynne Jones, Archer's Goon

Exactly!

Though I'm not altogether sure about that ancient Britons thing . . . .

But only Mrs. Jones could so aptly describe the one great peril that writers of all shapes, sizes, and genres dread: Writer's Block. And the really terrible thing is that the moment you think you have finally broken the cycle, that you know how to avoid this fate, that you have at last achieved some great height of writerliness beyond the lot of mere mortals that makes you immune to this deadly, inspiration-killing disease, that's when you are most susceptible.

I am currently suffering from Writer's Block.

It's not even about a lack of ideas. Some people make the mistake of thinking that this problem arises from not knowing what to do next in the story, a lack of plotting or character or some such literary device as all that. Perhaps this is true for some writers out there. Personally, I find it to be a more subtle malady than that.

For me, it's almost never a lack of ideas. Take my current position, for example. I am 30,000 words into my most recent novel after a creative burst of about 18,000 words in five days, which is something of a record for me. I was fairly breezing along, watching the story take shape almost of its own accord under my fingers, as though the words were just begging to be written, leaping up and squeaking, "Oooh! Oooh! Me! Me! Me!" as it were.

And now I'm come to the first Pivotal Plot Twist.

It's a great scene, really. In my head, I have a thousand ideas for it. It's full of action, pathos, drama, terror. It's a moment when characters reveal their true colors. It's a scene that changes the whole course of the rest of the book, galvanizing the plot into full running motion. The ideas are fairly boiling over with interest and portent.

What I'm lacking is . . . the feel.

The feel is a lot more difficult to manage than ideas. It's like inspiration, perhaps actually is inspiration. It's when you know deep down inside that you have more than the bare-bones string of storyline, but that the entire woven braid is there and ready. It's when the ideas become more than ideas but take on their own reality in a flesh-and-blood scene that you can sink your teeth into, if you'll pardon a rather gruesome analogy.

The feel of a scene isn't something you can fake. Either it's there or it's not. If it's not there, it's like Diana Wynne Jones says: your ideas, when penned out, are small. Colorless. Lifeless little things that are almost embarrassing to look at. And you can poke them and prod them all you like, rewriting them into the ground, and they're still nothing more than feeble little things that lead nowhere.

Outlines cannot save you at this point. Not that outlines aren't important. They certainly are, as a kind of road map. But outlines are not stories, and ideas scribbled down in chronological order are never a substitute for full-bodied storytelling.

Now there are many techniques that writers will utilize to try to break the power of the Writer's Block on their lives. Some of them are as follows:

1. Writers skip ahead and will try to write a "more interesting" scene if they find themselves bogged down in one spot. While this may work for some writers (everyone uses a different process), this never, but never works for me. I believe that a story needs to be told a complete and whole entity. Each scene should flow naturally into the next, events building on top of each other to create the complete picture, like layers in a painting. (Pardon another analogy: when you're painting, you can't skip ahead to the fifth layer if you haven't yet applied the third. The end). If you begin hopping about your scenes, you end up with a disjointed, episodic creation and a cast of characters who really don't know who they are or what's going on because huge chunks of their lives aren't even written yet.

2. The "random words or phrases" technique is another popular one. Writers will take a randomly interesting word or phrase and, leaving their poor suffering work-in-progress on the sidelines, go on and write a short story or poem or rambling paragraph about this randomly interesting word or phrase. Again, not a technique that works for me. Sure, maybe I can get on a rambling flow of thought and words will spew from my pen. But generally (not in every case, but in the majority of cases) this doesn't do a blessed thing for the suffering work-in-progress, which doesn't need a wordy ode to "The Midnight Sun Behind the Wellspring of the Other Side of Nothingness." It needs a scene, a new scene which is as yet unwritten.

3. Some writer's interview their characters in an attempt to get to know them better. Again, for some perhaps this works. For me, I must again insist that my characters don't need interviews. My characters need to a new scene, and no amount of interviewing them on what they have in the glove compartment of their cars or what their great aunt's second cousin's maiden name was and why, is going to progress the work-in-progress one jot.

4. I'm running out of popular writer's block avoidance methods, but this is the last one I can think of. "Try working on something else." How many ways  can you say, 'Doomsday'? Of course there are all kinds of a writers out there, as many kinds of writers as there are kinds of people. But for yours truly, if I move on to writing something else, that usually spells a death sentence for my current work-in-progress. It means removing myself from that story, those characters, creating a distance even greater than the writer's block itself. It means, in short, giving up. Not that I won't return to the story later on . . . in most cases, I do at least open it up again. But if I have left it and moved on to write something else for a while, I am a different person, a different writer by the time I return to the former project. And the former project, even if taken up and completed, will never be the book that it started out to be. Most of the time, it simply isn't finished.

All that to say, I have yet to find a cure to Writer's Block that works for me. Other than time. If I wait (hopefully not for too long because that can be just as bad as method #4 up there), almost always the feeling returns to me eventually. It's simply not something I can force, no matter how I want to.

But when it comes, oh! How sweet it is! And all the frustrations of that dread Writer's Block are forgotten for the time being in the joys of being a storyteller once more with a story I want to tell, mostly because it's a story that I want to read.

In the meantime, this is the best advice I can give to myself: Wait. Pray. Read good books or passages from good books. Let the story percolate, but try not to focus on it too much. And try to remember, as you're waiting for that inspiration to return, that it DOESN'T HAVE TO BE PERFECT the first time around. All it needs is a little life.

_____

Some years ago

 

“Jackie boy, wake up!”

“Don’t call me that.”

“She’s at it again!”

 

Some years ago, when I was but a young man

 

“Oh please. Don’t tell me I’m going to have to listen to you Monologue this entire Book.”

“Hey, I think I sound pretty good. When I was but a young man

“And you’re so old now?”

“Shut up.”

 

Some years ago, when I was but a young man, I knew mine was to be a life fraught with destiny.

 

“What’s fraught mean?”

“Burdened.”

“Oh. I’m not sure I like that.”

 

Mine was to be a life fraught with destiny. It was foretold to my parents, my noble father the shoemaker and my beautiful mother, who was secretly the daughter of a humbled nobleman whose seat of power was stolen from him by my wicked uncle

 

“My father’s an orthodontist.”

“Not anymore.”

“And my uncle Fred’s a shoemaker, and he’s kinda fun, knows the best jokes. He told this one, heheheh, did you ever hear the one about the mathematicians at the wedding? No, sorry, it was the three blonde philosophers at the funeral—”

“Hush up and Monologue, Hero.”

“Yeah, yeah, whatever, no sense of humor . . . .”

 

. . . stolen from him by my wicked uncle. The old hag who was midwife at my birth took one look at my face and said

 

“What’s a midwife? Some sort of lesser-variety wife? Like the mid-grade versus the superior?”

“I’m not answering that. I’m not even thinking about answering that.”

“But I—”

“Stanhope!”

 

The old hag who was midwife at my birth took one look at my face and said

 

Jack looked at Stanhope. Stanhope looked at Jack.

 

Took one look at my face and said

 

“Yes?”

 

. . . and said . . . .

 

“What’d she say, Stanhope?”

 

. . . and said . . . .

 

“Out with it, man! What did the hag say?”

“Don’t rush me, I’m getting there!”

 

. . . and said . . . .

STUPID! STUPID! STUPID! I’LL NEVER BE A WRITER!!1!! I’M AWFUL! I HATE THIS !1!!1!

 

“That’s not very literary, Stanhope.”

“Heck, I can’t help what old hags say.”

They waited, looking at each other.

Jack raised his eyebrows. “Well?”

“Uh . . . you don’t suppose she’s hit Writer’s Block, do you?”



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